Thursday, September 30, 2010

Blog: Squirrely Intuitive Readings

From Evernote:

Blog: Squirrely Intuitive Readings

Clipped from: http://78notes.blogspot.com/2008/09/squirrely-intuitive-readings.html
For those interested in Tarot. Some "professionals" come up with "intuitive" readings on Tarot cards where they seem to just make up Tarot meanings as they go. Ginny Hunt discusses true intuitive readings. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Squirrely Intuitive Readings

Sep 27

I just don't understand where some people come up with certain meanings for tarot cards. As far as I'm concerned they just pull them out of their underwear and parade them around like it should be perfectly evident from looking at the card that it means just that. So many times I just scratch my head and think: WTF? Let's say the Three of Wands shows up in a predictive position and the reader goes, "Well, she's going to go out and buy herself a new pair of earrings." Um. Mkay. Whatever. So then I start, painfully, trying to fit that interpretation to the card. I think, well, it is Wands and it could mean she goes out to actually do something. But it's a three, not a two, so I don't know where the pair of earrings comes into play. And it's not pentacles, so what's with the tangible purchase? And earrings? Ok, so maybe the card being used has a figure wearing earrings, what do I know? There are so many decks out there, maybe the reader honed in on the earrings in the image. So I try, hard as I might, to fit that to the Three of Wands. Finally I throw up my hands and give up. I can't do it. It feels wrong anyhow.

So then I hear, oh, it was an INTUITIVE reading. There. Now everything's all better.

Hell not!

Most people who know me would say I'm very much an inclusive, live and let live, no rules tarot reader. I'm open to practically everything where tarot is concerned because I believe the practice of reading tarot is a fluid, ever-evolving thing, but even I have my lines, my boundaries. I am a very intuitive reader. Any good tarot reader certainly utilizes their sense of intuition to a great degree but...and how can I say this without being misunderstood or without alienating my fellow intuitive readers...I believe the interpretation of the card must be somehow hedged in, based on a foundation of traditional, historical, symbolic meaning of the card in question.

I think fully intuitive tarot readings are great for firing up the intuitive neurons. It helps a reader look at all the various elements in a card image and begin really tapping into that place a bit to the side and beyond the card where actual reading of the cards happens. But I tend to look at it as an exercise, not an actual tarot reading. A fully intuitive reading doesn't need tarot cards. You could do it with a picture book, a magazine, toothpicks, stones, pig entrails, you name it. It's a reading, yes, but it's not a tarot reading even if you use tarot cards to do it.

I'm a big fan of those flashes one gets while reading, but if the flash of intuitive insight bears no relation to the cards in question I would certainly deliver said flash to the querant but I would preface it with, "I don't see this in the cards, but I feel I need to tell you..."

Maybe its my respect for the history of symbolism, of tarot, of having a tradition based on something rather than making it up as we go along that fuels my stance, but I feel very strongly that without these historic meanings, tarot is no more than a deck of pretty, or not so pretty, pictures. Why use them if you're not going to use their meanings? I mean, it's not like the pool of historic meanings is not deep or wide enough to swim in. There are some pretty off the wall traditional meanings, too. And I don't even really care where you derive those meanings be it the Marseille tradition, Waite, Golden Dawn, Crowley, or the freaking little white book. Ok, forget the little white book, that's going too far. But you get my point.

Intuitive readings are very suitable for oracle decks. I particularly like Froud's Fairies, personally. Those fey folk chatter and dance and give all kinds of messages you might not hear in a tarot reading. I love playing with those cards and they allow full rampant, random reign of my intuitive senses. Tarot, on the other hand, well...God forgive me...there are Rules.

Ack! Did I say that? *sigh* Yes I did.

I don't know if they are rules, per se, but they are a kind of framework, a tradition, a tried and true kind of consistency of semi-agreed-upon understandings. In looking into the number symbolisms, for example, I was amazed to find that, cross-culturally, numbers mean very much the same thing to people in different civilizations in different time periods. Same goes for colors and other symbols. When applied to tarot, these symbols actually mean something, have meant something for a very long time, and I see no sense in tossing all that out in favor of something you pulled out of your underwear just now. Your underwear may very well be psychic and that woman may very well go out and purchase a new pair of earrings, but you didn't get that from the tarot card in question. No, you didn't.

It annoys me, too, because there is such a wide and vast array of tarot meanings to pick and choose from, why pull something else out? That Three of Wands is not going to mean the same thing in every reading anyway, so why spin something else off it? Also, I might see something different about that card than another reader, all within the traditional framework, depending on the question, the spread, the position, and whatnot. It's vast, I tell you, utterly vast. I see no reason to muddy them up with random intuitive things that have no relation to the card. These random intuitive things may be very relevant to the situation, absolutely, so don't get me wrong here and think I'm against such things. Just don't say these things are in the cards, they're not. Unless your deck has a Happy Squirrel card, that is. A few decks actually do include this card and its from an episode of The Simpsons:

Episode 2F15
"Lisa's Wedding"
Written by Greg Daniels
Directed by Jim Reardon


Woman: I've been waiting for you, Lisa.
Lisa: [gasps] How did you know my name?
Woman: Your nametag. ["Hi, I'm Lady Lisa"] Would you like to know your future?
Lisa: Heh, sorry, I don't believe in fortune telling. I should go.
Woman: What's your hurry? Bart and Maggie and Marge are at the joust, and Homer is heckling the puppet show.
Lisa: [gasps] Wow, you can see into the...present.
Woman: Now we'll see what the future holds. [turns over a card from what looks like a Tarot deck]
Lisa: [gulps] The "Death" card?
Woman: No, that's good: it means transition, change.
Lisa: [relieved] Oh.
[the woman turns over another card]
Lisa: Oh, that's cute.
Woman: [gasps] "The Happy Squirrel"!
Lisa: [timid] That's bad?
Woman: Possibly. The cards are vague and mysterious.
[Image from The Happy Squirrel card from Victoria Regina Tarot copyright © 2000 Sarah Ovenall]

An ironic parody of the melodrama often shown in film regarding the Death card in tarot readings, the Happy Squirrel pokes fun at our own practice and keeps us from taking any of this too seriously. I love that some deck creators have included it in their decks. While I'm ranting about some readers not reading the cards themselves, please know that it's not all that serious. None of this is. It's tarot reading, for heaven's sake. Still, I can't help but be bugged when I hear some interpretation that is so obviously random. Do that, if you must, with the Happy Squirrel, but please refrain from that with my beloved tarot cards.

Ginny Hunt is a Professional Tarot Reader from Maryland. Her interest in the spiritual and metaphysical has been a lifelong passion. She has been a practicing counselor, both professionally with adolescents and para-professionally as a volunteer with abused women. She offers professional reading services through 78 Notes to Self.

Wednesday, September 29, 2010

Blog: Witches' Familiars in Medieval Times and Today

From Evernote:

Blog: Witches' Familiars in Medieval Times and Today

Clipped from: http://www.suite101.com/content/witches-familiars-in-medieval-times-and-today-a285528
Is it just a simple pet or is it more? Perhaps your familiar? Joy Richardson's article about the witches' familiar both in Medieval times and today, brings us just a bit closer our pets. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Witches' Familiars in Medieval Times and Today

Sep 13, 2010 Joy Richardson

Ordinary House Cats Were Thought to be Evil - Photo by Joy Richardson

Do you believe in magic? For thousands of years people have not only believed, but have asserted that magic would be impossible without a little help from their familiar.The spooky black cat may be the most common example of a witch's familiar. But neo-Pagans say their familiars offer emotional support and physical healing.

Animals are the oldest concept of the witches’ familiar. The most common types of familiars are cats, dogs, owls, and toads. However, familiars can also be mice, bats, or wolves, to name a few.

In medieval times, people thought that the familiars of witches were devils in disguise. The most popular concept of the familiar is the image of a spooky black cat.

Familiar Fear of the Middle Ages

During the Middle Ages ordinary house cats were regarded as diabolical beasts and as omens of evil. Superstitious people believed black cats could change shape and help perform spells for a witch.

Familiars were considered as dangerous as witches, as they looked like normal animals but could spy or wreak havoc without being easily detected. It was widely accepted that familiars behaved in unnatural ways and performed tasks such as running errands and bringing messages.

There were four methods believed to be used in obtaining familiars: by gift from the devil; by gift from a fellow-witch; by inheritance; by magical ceremonies. Of these, the second and third appear methods are thought to be confined to the domestic familiar.

Pet Ownership as ‘Proof’ of Witchcraft

In 1604, the Witchcraft Act was passed in England. The act made it a felony for anyone to associate with a witch. It was common practice to identify it as a familiar, to prove the person's guilt. Sometimes simply having a close animal companion, such as a cat or dog, was considered proof that a person was indeed a witch. A person accused of witchcraft could be sentenced to die if an unsuspecting animal made an appearance during a trial.

Animals were tortured and suffered along with their human counterparts. During the Salem witch trials in 1692, two dogs were tried, convicted and hanged for being a witch’s familiars.

Familiars Inspire Writers, Painters

Today, neo-Pagans believe familiars can help modern witches identify negative energy that may be present. It's also believed that a familiar can lend its energy to your purposes or rituals. Cats are still the most popular choice, but they are not always black.

Neo-Pagans say familiars can offer emotional support, physical healing, and special insight. Some believe a familiar can offer inspiration as a muse, to inspire writers and painters.

Usually you must ask a familiar to lend its energy, although sometimes it is given automatically, some say. It’s possible to seek a familiar through meditation, but most neo-Pagans do not believe that familiars can be summoned at will.

Sources:

Adler, Margot, Drawing Down the Moon, Beacon Press, Boston, 1979.

Sacred Texts.com “The Witch-Cult in Western Europe”, accessed on September 13, 2010

Read more at Suite101: Witches' Familiars in Medieval Times and Today http://www.suite101.com/content/witches-familiars-in-medieval-times-and-today-a285528#ixzz10mldIOZh

Tuesday, September 28, 2010

Blog: Death Waits - The Death Card

From Evernote:

Blog: Death Waits - The Death Card

Clipped from: http://78notes.blogspot.com/search/label/Major%20Arcana
For those who are interested in Tarot. Ginny Hunt has an alternative viewpoint to the Death Card. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Death Waits

May 02


It was a gorgeous spring Sunday that felt very much like summer. While I was relaxing at home, the phone rang with an unfamiliar number on the caller ID. I let the voicemail receive it and heard, "Ginny, it's Caitlin...you need to call me, it's about Mom." Her mother was in poor health and I assumed she was probably in the hospital and she was calling me because I live in the same town. I'm close by, accessible, and can more easily offer assistance when needed. I was not prepared to hear her say, "Mom passed away this morning."

"NO SHE FUCKING DIDN'T!!!"

And the Tower crashed and burned and I fell from the windows.

"Yes, Ginny, yes...she did."

The third sword pierced my heart and in that instant my heart bled tears of overwhelming grief and a cry of agony escaped my lips as if that sword was an actual steel blade invading my chest cavity.

Jonna was my friend. For thirty years we shared our lives, from the halls of the high school we attended together, through boyfriends and lovers, marriages (my two, her one), our children's births (my four, her two), moving houses, through her mother's serious illness, her father's death, my divorces, our friendship remained.

Our relationship embodied the 2 of cups, the 3 of cups, the 5 of swords, the 5 of wands, the 6 of cups, the Sun, the Moon, the Wheel, the Fool. She was the Queen of Cups and I the Queen of Swords. We sometimes clashed and I'd get pointy and she would cry and pout. Yes, she drank too much, too. Her favorite tarot card from all my decks was always, without fail, the Ace of Cups. She wore her emotions on her sleeve, her face, her whole self was one big emotion. Her laughter was hearty and contagious, her tears deep with sorrow. When she felt something, it was big. My mother had a phrase for people like her. She'd say, "They're just too too!" The woman was intense. My airy Libra self needs people like her. I do seem to gravitate towards watery folks. They keep me in touch with my own emotions even if I do tend to wonder what all their fuss is about.

In the last week since she died, I have experienced a wide range of emotions and thoughts that, were I to align them to tarot cards, not one of them would align with Death. Our friendship hasn't ended. It still lives on as long as I live to love her. It has changed, yes. I won't be able to call her with some silly bit of daily, mundane news or frustration. I won't hear her voice on the other end of the phone anymore. I won't be wrapped up in her deep, soothing hug. I won't share another toast, a cigarette, a moment when we look at each other and just know what the other is thinking. I hope to see her again, but until then, this part of our relationship is different. But it isn't over. I still remember. I still love.

This is why, I think, the Death card doesn't often show up to herald physical death. Maybe the Tower. Maybe the Wheel. Maybe even the 6 of Swords. But not Death. Because although her physical life has ended, the reading would have been mine, not hers. What I am experiencing is a kind of ending, yes, but more a change, a hurt, a loss, sadness, a rush of memories, a need to connect with old friends, a grief. There are many other cards that better describe what I am feeling and doing and Death isn't one of them. Five of Cups is a big one. I am for sure feeling a whole lot of regret and deep, painful sadness.

I don't know how to do this, to lose my best friend. We had a rather rocky relationship and had grown a bit distant these last two years. That was my doing. As her health declined, those that loved her tried persistently to help her to help herself. She was still drinking, still addicted to prescription pain meds. Depressed, she spent most of her days in bed. She laughed less and cried more and when she would call I wouldn't pick up the phone until she left a voicemail so I could see if she was sober or not. She had verbally attacked me last year for not calling her when I had actually left several voicemails on her phone. Afterwards, she didn't remember yelling at me. It had begun to feel crazymaking. I knew she was losing some of her self. I couldn't bear it. Then other times she would call, sober, and we'd talk as if nothing was different. She would remember things. We would get all caught up on each others' lives and then get silly and stupid and laugh just like we always do. The last time I saw her I helped her do her nails, gave her a pedicure, and helped her choose her outfit for her daughter's rehearsal dinner. I guess it was my own denial that wouldn't allow me to really take in the seriousness of her condition. I remember her daughter holding her mother's face in her hands and saying, "Mom, look at me. I need you to BE HERE with me tomorrow. (Her wedding day) If you can't be with me I don't want you there at all. I'm not trying to be ignorant. I'm not trying to be mean. I NEED YOU. BE WITH ME. BE HERE." Caitlin looked at me and I could see the desperate worry in her eyes. I understood, but I knew Jonna. She was a fighter, a survivor. She could drink any drunk under the table and still dance on top of it. She had tried to overdose on her pain meds before and couldn't. I said, "Don't worry, Caitlin. She will be fine."

And she was. She attended her daughter's dinner and wedding. She stayed sober. Her husband lost his job and with it went the health insurance. She couldn't get her pain meds, so her addiction was broken. I talked with her last Friday night. We were supposed to get together the next day. I said, "I sure wish you were here so we could have a drink." I knew she was an alcoholic, but I also knew she wouldn't stop drinking, so if you can't beat 'em, join 'em. She said, "I don't really do that so much anymore."
"Really?" I asked, incredulous.
"Yeah, well...it causes...problems." I knew instantly she meant problems with her husband.
"Yeah, I bet it does!" I said.
"I still do, every now and then, but not so much."
"Well good. I can't wait to see you tomorrow."
"Ok hon, I'll call you when we're on our way, so you'll know when to be there."
"Perfect," I said, "We'll catch up then."
"Ok, I love you, hon."
"I love you, too. Bye."

I do. I love her still. So it is not Death. It is not over. Maybe I'll see the Death card before I go, but for now, he will have to wait until our friendship ends. If I have anything to say about it, he's going to wait a good long time. I think the Death card doesn't show up for us when we might expect it to because if there is still one person carrying on, the relationship is not dead. If we had ended our friendship, yes, Death comes in. Now, I still believe Death does and can mean literal, physical death, and I think it does show up in some readings to mean just that. But see, that's obvious. We wonder more why it didn't show, why we didn't get the obscene and blatant warning. Besides the fact that even a tarot warning would not have sounded as loud as her declining physical, mental and emotional state anyway, the experience of her death has been anything and everything but an ending. Or maybe I'm still in denial. It doesn't really feel like denial. I know she's gone, I accept it. I am grateful she is now no longer in pain, she is at peace, she is with her beloved grandmom and dad. I will miss her and yet I accept that she is gone from me now. It's just that it doesn't feel like it's over...because I remember my friend's love for me and know that part, the important part, lives on.

Ginny Hunt is a Professional Tarot Reader from Maryland. Her interest in the spiritual and metaphysical has been a lifelong passion. She has been a practicing counselor, both professionally with adolescents and para-professionally as a volunteer with abused women. She offers professional reading services through 78 Notes to Self.

Monday, September 27, 2010

Blog: Dedicating Yourself to a Deity

From Evernote:

Blog: Dedicating Yourself to a Deity

Clipped from: http://paganismwicca.suite101.com/article.cfm/readying-yourself-for-magick--dedicating-yourself-to-a-deity
For those who practice magick, the following article give some good advice on how to dedicate yourself to a Deity. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Readying Yourself for Magick — Dedicating Yourself to a Deity

Sep 9, 2010 Leigh-Ann Andersen

A Disciple Ready to Dedicate Herself to Her Patron - Leigh-Ann Andersen

Dedicating yourself to a patron god or goddess is an intensely personal decision. If you find yourself drawn towards this step, take it very seriously.

After choosing a deity and connecting to him or her, you may feel that you are drawn towards making a commitment to deity to enhance your magick. Keep in mind that this can only be done after connecting to the divine has been accomplished.

Dedicating yourself to a deity should not be done lightly. When you commit yourself to a god or goddess, you are embracing all that they are. Most gods and goddesses have more than one aspect. For example, Brigit is a goddess of healing, but she is also a goddess of creativity and smithcraft. She should not be chosen as a patron goddess unless you are willing to embrace her in all her aspects.

How to Dedicate Yourself to a Deity

If you are sure that you would like to dedicate yourself to your chosen deity, then you must create a ceremony to express this desire. This ritual can be short or long, elaborate or simple, but it must come from the heart. This ceremony should be unique to you, but there are some common steps that can be incorporated. A general outline for this type of ritual might be:

  • Prepare your body and mind by meditating, ritual bathing, fasting, or any other activity that will clear your mind and cleanse the body;
  • Dress appropriately, in robes or other ritual garb, or perhaps consider going skyclad;
  • Create an altar specifically for your patron goddess or god, separate from your working altar;
  • Create sacred space by casting a circle;
  • Invite your patron god or goddess to join you in your circle, and introduce yourself;
  • Swear an oath of dedication, explaining how you plan to be of service to your patron;
  • Thank your patron for his or her presence; and
  • Dismiss the circle.

How to Serve Your Patron Deity

Once the ritual is complete and you have dedicated yourself to your patron goddess or god, you may find yourself wondering how you can now fulfill your oath. How can you be of service to your patron? Any action that shows respect and love can be considered a service. Here are a few ideas.

  • Create a permanent shrine or altar for your deity.
  • Write a poem, song, or story about your deity.
  • Invoke your deity during rituals. Perhaps even create an entire ritual simply to honor your patron.
  • Create a unique piece of jewelry that symbolizes your deity, and carry it with you.
  • Teach a class to the public about your deity, sharing his or her knowledge with others.
  • Dance purely for your deity, expressing in dance the personality of your patron.
  • Create clothing that is specific to your deity. Maybe this clothing will become your ritual garb.
  • Create an astral temple for your patron.
  • Go out into the world and do the work of your patron. If he or she is a healer, then heal. If your deity is an artist, then create.

Continue to increase your relationship with your patron goddess or god, for this will strengthen the magick within. Truly exploring the depths of a relationship with the divine can take a lifetime, and choosing to become the disciple of a god or goddess is a personal decision. The closer you are to the divine, the more powerful your magick will be, and the more wisely you will use it.

References:

Buckland, Raymond, Buckland’s Complete Book of Witchcraft. Llewellyn Publications, 2007.

Buckland, Raymond, Witchcraft … The Religion. Buckland Museum of Witchcraft and Magic, 1966.

Cunningham, Scott, Wicca, A Guide for the Solitary Practitioner. Llewellyn Publications, 1999.

Cunningham, Scott, Living Wicca, A Further Guide for the Solitary Practitioner. Llewellyn Publications, 2000.

Leek, Sybil, The Complete Art of Witchcraft. World Publishing, 1971.

Read more at Suite101: Readying Yourself for Magick — Dedicating Yourself to a Deity http://paganismwicca.suite101.com/article.cfm/readying-yourself-for-magick--dedicating-yourself-to-a-deity#ixzz0zNlFLbUt

Sunday, September 26, 2010

Blog: Hey! Teacher! Leave Those Kids Alone! - The Hierophant

From Evernote:

Blog: Hey! Teacher! Leave Those Kids Alone! - The Hierophant

Clipped from: http://78notes.blogspot.com/search/label/Major%20Arcana?updated-max=2007-01-23T13%3A03%3A00-05%3A00&max-results=20
For those who are interested in Tarot. Ginny Hunt has a valid point on the Hierophant Card. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Hey! Teacher! Leave Those Kids Alone!

Aug 03

There are few afficianados of tarot that don't struggle some with this guy. The Pope. Later decks dubbed him The Hierophant in order to jazz him up and make him less Roman Catholic-centered and more esoteric, associating him more with the Greek mystery religions as one who guides initiates in sacred mysteries. However, in many of the later decks where he's The Hierophant there's no mistaking it, this guy is The Pope. The Holy See. Hence the common kneejerk flinching many experience when this card appears. Some of the more New Age tarot decks have tried to soften this character and have renamed him and redesigned him, often smiling and less severe, to counter these reactions, but...sigh...he's still so terribly rigid, I think I may always respond with a bit of ambivalence with this one.

Tarot was created pre-Reformation and the Church at that time was every bit a civil authority, sometimes moreso, than the rulers of state. It was also at this time that the Church united under one Pope, as opposed to having multiple Popes. Rome was the seat of power over the entire "civilized world," civilized meaning Christian. This guy represented God's agent on earth and consequently held the highest authority of any human on the planet. The sad history of the ways in which this authority was abused over the centuries is part of the underlying cause of the discomfort. It is sometimes very difficult to view this card in a positive light when all one has to do is cite the Inquisitions, the Crusades, the Malleus Maleficarum and the more recent sexual abuse scandals. That's quite a load of baggage, no wonder this card has such a bad rap these days.

This is one of several cards in the Major Arcana that points to a specfically Christian worldview at the time the cards were created. The traditional decks are rife with historical Christian symbolism which spoke a common language to the people of that age. To interpret any ancient text it is important to understand how the author and his audience would have perceived the language and phrases used. Tarot, speaking in pictorial, symbolic language, is no different. How people of 15th, 16th, and 17th century Italy and France would have perceived the way the Pope is depicted on this card tells us more about the intended meaning of the card than our own, probably more negative, responses. Not that our own responses can't tell us a lot, and my own revulsion to the Pope/Hierophant has shown me much about my own issues with authority, dogma, institutions, and teachers in general, but in order to understand these, I needed to first understand the intended meaning of the card. At least that's how I go about things, usually. So it helps to understand some Christian history and symbolism when looking at the more traditional tarot decks, especially those that derive their symbolism from the early decks.

There may exist a human being who has not been frustrated or harmed by the institutional groupthink mentality and actions, but I doubt it. The Hierophant represents the church, yes, but also the universities, the organizations and groups to which we belong or affiliate ourselves with, to which we choose to answer by becoming a member. We're fortunate that the Pope doesn't have as much influence over us unless we choose to become a member of the Roman Catholic Church, and even then, only as much as the congregant allows. One can always choose to leave the church. That was not so in 15th century Italy. The Pope held governing and even military power over the land and its inhabitants. Yet even today, the Pope still holds much influential power over the way a large number of people choose to think, to act, and to govern their own lives and the lives of those they are in authority over. So while his authority is much more indirect than in past eras, it is still a very present force in global society today. Groups and institutions that are not directly governing bodies can still impact the way we live in significant ways and how we view the policies and agendas of these groups affects the way we may feel about The Hierophant. When we see him as the leader of a group or institution that we feel is beneficial to our way of life, then we can appreciate the more positive qualities of this card. However, when we view him through the lens of abusive power and harmful policies and having a "hive-mind" mentality, this card can communicate a more negative message.

The Hierophant can represent a kind professor who opened up the doors of opportunity and learning for one in the early years of college. She can be that Girl Scout leader who taught you how to build a fire and identify poison ivy. He's the yoga instructor who inspired your present spiritual path, the pastor who demonstrated what it meant to "be like Christ" when it really counted, or the uncle who taught you how to tie a tie on the night of your first formal dance. He is the one who guides the initiate, who opens doors (he is often pictured holding keys) for you through which you grow, and he is usually encountered while you are a member of the institution -- the group, the family, the institution. He is a facilitator of your spiritual growth, often helping you grow through the instruction in seemingly mundane things. One tarot reader explained to me, "He gives legs to what is unseen." The rituals that he presides over and that we perform allow us to hold in our hands a tangible representation of something invisible and intangible. He teaches intangible concepts like responsibility, faith, and love.

That's all good, right? So, aside from nagging things like burning women as witches, why shouldn't this guy bring up warm and fuzzy feelings? Erm. Ask any recovering fundamentalist, Catholic, or anyone else who has fairly traumatic experiences visited upon them by not so well-meaning Hierophants. When people entrusted with the care of souls abuse that trust then souls are damaged, and it's the wise person who learns from that experience not to entrust themselves in the care of those who have not first earned that trust. Most true Hierophants don't want it, and will advise against such blind faith. It's the upside-down Hierophants who play that game. Those are the meglomaniacs, the high-profile (and high cost!) gurus, the too-solicitous and "friendly" Boy Scout leaders, or the professor or president who has sex with interns. What often lends insult to injury to the actions of the leader himself is the common reaction of the others in power in the organization who scramble to cover-up and protect the institution at the cost of the victims. The institution must be maintained at any price, even the price of human souls, and therein lies the truly evil side of The Hierophant. No wonder we tend to scrunch up our faces at him.

If you are consistently plagued by negative reactions to this card, sometimes all it takes is one image to help you see the good side. For me it was the Hierophant in the Victoria Regina deck. While he may seem no different from other depictions of the Hierophant to many others, his face reminded me of a pastor I had always been fond of, the pastor who officiated at my wedding. I saw him and immediately went "Awwww...look, it's Andrew!" That was my own personal turning point with that card as I began to see that not all "Popes" are tyrants, not all in the care and feeding of souls abuse that trust, they're not all so concerned with the rules that they lose sight of who the rules were made to serve. No, indeed they're not. So if you're still suffering from the sting of all that turns the Hierophant on his head, look for one you can tolerate, if not love, one that reminds you of someone who didn't abuse their position, one who took their time to serve and help you grow. It helps. In more ways than reading tarot.

Ginny Hunt is a Professional Tarot Reader from Maryland. Her interest in the spiritual and metaphysical has been a lifelong passion. She has been a practicing counselor, both professionally with adolescents and para-professionally as a volunteer with abused women. She offers professional reading services through 78 Notes to Self.

Saturday, September 25, 2010

Blog: Connecting to the Divine

From Evernote:

Blog: Connecting to the Divine

Clipped from: http://paganismwicca.suite101.com/article.cfm/readying-yourself-for-magick--connecting-to-the-divine
For those who practice magick, here is a great article about connecting to the Divine. This will help your focus your magick. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Readying Yourself for Magick – Connecting to the Divine

Sep 8, 2010 Leigh-Ann Andersen

Connecting to Diety can be a Moving Experience - Leigh-Ann Andersen

Creating a connection to the divine in any form is a powerful step. A relationship with deity is a powerful way to encourage spiritual and magickal growth.

A connection to deity is essential to the full practice of magick. This is not to say that one has to follow any particular religion. Any religion or spiritual path can offer a wondrous connection to the divine. However, this connection must be of a personal nature in order for it to benefit magickal practice.

A personal relationship to the divine is one where either you have chosen a particular deity, or that deity has chosen you. Most people have an easier time establishing this connection if they visualize the deity in human form, complete with a name, history, and bursting personality.

How is the Divine Visualized?

No two people share the exact same worldview. This means that no two people see the divine in exactly the same manner, though there are usually similarities between people who share a similar religious background. Often, personal views of the divine change over time. There are many ways in which the divine is visualized today.

  • Imaginary beings created by ancient peoples as a way of coping with and explaining the unknown in the natural world.
  • Beings that started as imaginary, but because of the energy directed toward them by worshippers, have now become real and taken on a life of their own.
  • Beings that existed prior to any humans, and are supernatural and immortal in nature.
  • Aspects of the original deity who created the universe.
  • Aspects of the psyche of the individual, and not external at all.
  • Human beings who were so influential in their time and culture that they became deified after death.
  • Imaginary beings created by the priestly class as a way of controlling the masses.
  • Unknowable entities that fill a psychological need in the human psyche.
  • The unifying force of the universe.

These are only some of the ways in which the divine can be visualized. It is impossible to get into specifics and describe each aspect of the divine, since no two people will see the divine in the same way. For example, not all Christians see God as an elderly gentleman with a flowing white beard. Not all Wiccans see the Goddess in her Triple form – Maiden, Mother, and Crone.

How Can I Connect to the Divine?

The divine is such an all-encompassing idea that it is best if you are able to connect to a more familiar aspect of the divine, such as Isis, Diana, Lugh, or Odin. Choosing an aspect, instead of focusing on a form that is somewhere ‘out there’ and whose nature is uncertain, allows the mind to grasp the idea of the divine with greater ease. This increases the likelihood that you will make a lasting connection to this deity.

Perhaps you already feel the call of a particular deity. If not, feel free to choose a deity from any time or place in history that you feel can help you on your spiritual journey. There are hundreds to choose from, so take your time, do your research, and choose carefully.

Once you have settled on a particular aspect, there are many things that can be done to encourage a connection with this deity. Remember, these are only suggestions. Anything that will enhance your relationship to your chosen god or goddess will suffice.

  • Read a book (or many books) about your chosen deity.
  • Perform online research to learn as much about your deity as possible.
  • Meditate, focusing on your deity and its personality.
  • Use your dreams to further connect with your deity.
  • Find, buy, or make a statue for your deity.
  • Make a painting or collage or your chosen deity.

Building a relationship with a particular deity may happen in an instant, or it may take many years. You may or may not choose to dedicate yourself to your deity, but either way, the personal relationship that is developed with a particular aspect of the divine is powerful and fulfilling.

References:

Buckland, Raymond, Buckland’s Complete Book of Witchcraft. Llewellyn Publications, 2007.

Buckland, Raymond, Witchcraft … The Religion. Buckland Museum of Witchcraft and Magic, 1966.

Cunningham, Scott, Wicca, A Guide for the Solitary Practitioner. Llewellyn Publications, 1999.

Cunningham, Scott, Living Wicca, A Further Guide for the Solitary Practitioner. Llewellyn Publications, 2000.

Leek, Sybil, The Complete Art of Witchcraft. World Publishing, 1971.

Friday, September 24, 2010

Blog: O-M-G! - The Ten of Swords

From Evernote:

Blog: O-M-G! - The Ten of Swords

Clipped from: http://78notes.blogspot.com/2009/01/o-m-g.html
For those interested in the Tarot. Ginny Hunt describes the drama of the Ten of Swords. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


O-M-G!

Jan 02

I know you know at least one. I know you've probably even been one at some point, though it may be embarrassing to admit. At least once and probably many more times you have made that proverbial mountain out of a molehill. You Drama King/Queen! It's ok, really. I have a side that inclines toward the dramatic. Ok, maybe more than a side. A whole flank of my being perhaps. Enough that a friend of mine, who also relishes the fair amount of drama sprinkled through out her life, will call me out, "O! M! G! You're being so drama!" At least we recognize it in ourselves and can laugh at it when it rears its entertaining head. This fact makes us decidedly not Drama Queens. The true Drama King or Queen does not accept the fact that he or she is being ridiculously melodramatic nor do they seem aware that they are consistently creating situations that result in exhausting drama for themselves and others. So my friend and I were talking last night when she wondered aloud, "Which tarot card would represent drama?" We had been discussing the Moon card and the dramatic side to that card and the question made us both stop, mid-convo, and mentally rifle through the deck. At first we were rather nonplussed. I said the Fool and Moon combination would make me think "drama" but I wasn't satisified with my answer. We continued our conversation and somehow the Ten of Swords was mentioned and she interjected, "There is the drama card!" I laughed, "Oh yeah! For sure!" Talk about over the top, that card screams "Woe is meeeeeee!"

Recently my twelve-year-old daughter asked me what labels we used for various cliques in high school. Of course we had those we called "Jocks." She said "Jocks are perennial." (Yes, she is twelve with a very broad vocabulary.) I said we called "Stoners" by a different name, "Freaks." We had "Nerds" which would probably be "Geeks" or something like that today. We had a group we called "Grits" which were closely related to the "Redneck" in that they liked to race their souped-up cars and dress in leather jackets and grease their hair back in 1950's style. As she tried to find modern equivalents for the late 1970 era categories she asked, "Did you have Emo kids?"

"No! Because ALL teenagers are EMO!"

I bet your most embarrassing drama queen/king incident happened when you were an adolescent, right? And if it happened later, you probably felt like an angst-ridden teenager. As adults, we're not immune to our emo side and will occasionally exhibit distinctly self-absorbed, overblown emotional displays, especially while inebriated. It's ok, I forgive you. We're all entitled to occasionally wax melodramatic over some insignificant thing. Like that time I was trying to get ready for work and the new kitten I had just brought home had gone on a spastic kitty frenzy and climbed the curtains in the bedroom and brought the whole curtain rod down and for some reason this event rendered me incapable of going to work that day. Or that Christmas Eve scene I had with my first boyfriend in which I dramatically broke up with him, slapping him full in the face a la Joan Crawford, held back the tears until I burst through the door at home and ran to my mother and collapsed in a soppy, bawling mess in her lap. My mother was entertaining a date at the time. I didn't notice that the lights were low, all but the Christmas tree lights were off, there were wine glasses on the coffee table.

So, I put the question to my tarot deck today. Which card represents that inclination in people to be so self-focused and hungry for attention that they create interpersonal drama? The first card that I pulled was The Devil. Hmmm...never really thought about that, but isn't it true? This card speaks of OCD, addictions, obsession, unhealthy attractions and pretty ugly ulterior motives. It's the hedonist card, plain and simple.

Feeling on a roll, I pulled another card. Six of Cups? How in the heck? It's such a sweet card, so giving and generous...oh, but wait...these are children. Childish. Those I've known who are drama addicts also tend to be very immature and although they have chronologically outgrown the time of their lives when they are expected to be narcissistic, they haven't matured emotionally past that.

Next one I pulled was The Hanged Man. I laughed. Talk about the ultimate martyr! And look at the delight he is obviously receiving from his discomfort, he is enjoying what most people would take great pains to avoid. Is he a masochist? No, he is a victim, but not a completely innocent one. Some believe he is a thief for the coins that drop out of his pocket in a few older renditions of The Hanged Man. The precarious and even torturous position he finds himself in is probably due to his own making, the consequence of his actions. And he smiles. Like the cat who ate the canary.

Ok, this is getting interesting. Is it possible to find aspects of "drama piggyness" in every card? I pulled another. The Ace of Wands. Ha! Tempers flare then die out quickly with this card. It's a major blow up over something small, a matchstick that lights a straw fire that blazes hot then extinguishes in a moment. Does that remind you of any drama queen or king that you know? Umm hmmm...me too.

One more. I pulled the Six of Wands. I love tarot for its sense of humor. This card is one of the most positive cards in the deck, usually. But what about its conceit? Its "look-at-me!" attitude. The seeking of the approval and, most of all, the attention of others, along with the playing to the crowd that is evident in this card. This card shows someone who seeks the attention, thrives on the attention, and can't even take a trip home without drawing a crowd of onlookers.

So I think I get it. Human inclinations, personality flaws, irritating aspects of us all, can be found throughout the tarot deck. It's merely a matter of perspective when you look at any card. You can probably find what you're looking for if you look deeply enough, cock your head to one side, take in the whole of the card, not just what you think it means.

Ginny Hunt is a Professional Tarot Reader from Maryland. Her interest in the spiritual and metaphysical has been a lifelong passion. She has been a practicing counselor, both professionally with adolescents and para-professionally as a volunteer with abused women. She offers professional reading services through 78 Notes to Self.

Thursday, September 23, 2010

Blog: A Mabon Spell for Thanksgiving

From Evernote:

Blog: A Mabon Spell for Thanksgiving

Clipped from: http://onewitchsway.com/2010/09/a-mabon-spell-for-thanksgiving/
Mabon is upon us. A Time for Thanksgiving. Here is a simple spell to assist you in giving thanks and honoring your personal harvest. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


A Mabon Spell for Thanksgiving
by Rowan Pendragon
 
This year, when doing your Mabon ritual, include something simple to honor your personal harvest.  This simple spell that I have put together can be used as part of your existing Mabon spell or as something separate that can be part of your meditations or sacred space time for honoring the Sabbat.

Mabon Spell for Thanksgiving

You Will Need:
  • A small deep orange or russet colored candle (you can use a Mabon intention candle if you wish)
  • A small handful of grain (rice is great for this but any other grain you feel drawn works)
  • A small offering dish or bowl
  • A small chalice or red wine, mead, or apple cider
Light you candle and reflect on the meaning of Mabon and take a moment to sense the change in the seasons.  Give yourself sometime to really sink into the feeling of this sacred day.

Gazing at your candle, begin to think of and meditate on the things that you have harvested for the year.  These can be actual things that manifested in the material world that you were praying for and working magick for, or they can be things that the Universe and the Gods worked with you to keep moving smoothly (your health, your home, your protection, etc).  Think of this as being similar to the part where you may go around the table at Thanksgiving talking about the things you are thankful for.
Once you have firmly gathered your intentions in your mind and you know what things you have to thank the Gods for, take a moment to now acknowledge the God's sacrifice for your good fortune.  Even though you may have worked with the Goddess specifically on a goal, the energy of the God still resonates within that work.  You can always thank the Goddess as well because she has sacrificed for your fortune too through the death of her consort.

For each thing that you are thankful for, pick up a piece of grain and name it.
"I am thankful to the Great God for his sacrifice so that allowed me to be in good health this year."

Do this for each thing that you have to be thankful for, placing each piece in the bowl as you finish working with them.

When you are done, look at the bowl and realize how blessed you are.  This would be similar to the idea of "count your blessings".  This is a great way to realize that even if you have had a difficult year, there are still things for you to be grateful for and blessings that have come to you.

Take a moment to say some words of thanks to the God and Goddess.  These should come from the heart; thank them as if they were sitting there on the other side of the altar with you, letting them know your heartfelt gratitude for their energy in your life and the blessings they have given you.
Pick up the chalice and acknowledge this as an offering to the Gods as a form of sacrifice.  Even if you're not using red wine, you can still envision your offering and sacrifice in the same way.  You can use words like these or something similar.
To the great Dying God and to the Great Mother who releases him for the benefit of all living creatures,

I thank you for your gift of life.
I thank you for your sacrifice.
As the red wine within this chalice is to the red blood that runs through my veins,
I too offer a sacrifice to you in exchange.
I offer a small piece of myself in exchange for the large piece of you which fuels and guides me,
Allowing me these things for which I am grateful.

Pour the wine in the bowl with the grain.

Spend a moment in silent meditation and reflection listening for any messages from the Divine.

Close your circle or sacred space, thanking any spirits or entities that you called in and releasing them.

You can let the bowl of wine and grain sit on your altar overnight as an offering and then return it to the earth the following day.

If you have small hands and paws that might get into it you can certainly take it immediately and offer it to the earth.

This entry was posted by Rowan Pendragon

Blog: I Vant To Be Alone - The Hermit

From Evernote:

Blog: I Vant To Be Alone - The Hermit

Clipped from: http://78notes.blogspot.com/2008/07/i-vant-to-be-alone.html
For those interested in Tarot. The thought of being alone, in this article, Ginny Hunt talks about the Hermit card. Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


I Vant To Be Alone

Jul 27


"If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. "-- Henry David Thoreau

Maybe its a perspective unique to western society that when we see the Hermit in tarot, we become a bit puzzled or worried. Our immediate association is to think he must be lonely, hurt or even pissed off at the world, a misanthrope. We imagine he probably got stressed out and fed up and, like Garbo, exited the social scene with a dramatic, "I just vant to be left alone!" Certainly no one would willingly, consciously choose a life of solitude. He must be an exile, banished, or one of those poor lonely souls like Eleanor Rigby.

Poor guy, alone on that mountaintop holding that lantern out as if he's looking for someone to come find him. Pity.

No doubt that we are social animals and we are not meant to live our lives in an entirely solitary fashion. However, there is a big difference between loneliness and solitude. Loneliness implies a negative state of being where something is being taken from you. Solitude, on the other hand, is wholly positive, an active state that one chooses in order to quiet the external stimuli and focus on the richness of one's inner being.

The sole cause of man's unhappiness is that he does not know how to stay quietly in his room
Pascal, Blaise, Pensées, 136 (1660)

Being alone is suspect. People tend to worry about you when you spend what they consider to be too much time alone. Something must be wrong with you if you're not in the company of others more than being alone. Personally, I enjoy being alone. I sometimes go to the movies alone, eat in restaurants alone, wander museums and spend a lot of time in my room alone. I tend to prefer it to what I experience as stressful chatter among people. Anne Morrow Lindbergh observed, "What a commentary on civilization, when being alone is being suspect; when one has to apologize for it, make excuses, hide the fact that one practices it - like a secret vice." My solitude is even portable. I have developed this enveloping "bubble" that I wear when out in public so that even when someone speaks to me they often have to say, "Helllooo, I'm talking to you," to snap me out of it. So if you see me in the grocery store and I act like I'm ignoring you, I'm not. Well, I am, but not on purpose. Feel free to come right up to me and wave your hand across my face as it's probably the only way I will notice your presence.

So when I see the Hermit, I am not so inclined to feel sorry for him. I am more curious about what he's thinking about, to find out where his mind, left to itself, has taken him. I am less concerned about what drove him to that mountaintop than what he has discovered since being there. He has something important to tell me, even if its only to say I need to get some space to myself. That's good advice in itself.

The early Marseilles decks show the Hermit in similar fashion to the later Smith rendering: old man in a monk's robe, lantern, walking stick. The main difference is not in the image but in the titles. Earlier cards were labeled, "The Hunchback," "The Old Man," or "Time." Apparently his first appearances represented the iconic Father Time with an hourglass instead of a lantern. However, the associations with the exile, the hermit, can be drawn from the title "The Hunchback" as people with such infirmities were often ostracized. Old age is also associated with wisdom and understanding and the monk's garb is associated with the acetic, the Christian desert monks who retreated into the desert to avoid Roman persecution in the early days of the common era.

The Hermit could represent someone like Peter the Hermit
a monk living in the 11th century that is credited with the beginning of the First Crusade. He's a symbol of hope for the poor and downtrodden as it is said he rallied an army of paupers in order to secure pilgramage routes and holy sites in Jerusalem.

Guibert of Nogent
's account of Peter is the earliest and is likely the more accurate than the much later inflated accounts which prevailed from the time of William of Tyre until the mid-19th century:

Therefore, while the princes, who felt the need of many expenses and great services from their attendants, made their preparations slowly and carefully; the common people who had little property, but were very numerous, joined a certain Peter the Hermit, and obeyed him as a master while these affairs were going on among us.
He was, if I am not mistaken, from the city of Amiens, and have we learned that he had lived as a hermit, dressed as a monk somewhere in Upper Gaul. After he had departed from there - I do not know with what intention - we saw him going through the cities and towns under a pretense of preaching. He was surrounded by so great throngs of people, he received such enormous gifts, his holiness was lauded so highly, that no one within my memory has been held in such honor.
He was very liberal in the distribution to the poor of what he had received. He restored prostitutes to their husbands with gifts. By his wonderful authority he restored everywhere peace and concord, in place of discord. For in whatever he did or said it seemed as if there was something divine, especially when the hairs were snatched from his mule for relics. We do not report this as true but for the common people who love novelties. He wore a wool shirt, and over it a mantle reaching to his ankles; his arms and feet were bare. He lived on wine and fish; he hardly ever, never, ate bread.

Source: Dana C. Munro, "Urban and the Crusaders", Translations and Reprints from the Original Sources of European History, Vol 1:2, (Philadelphia: University of Pennsylvania, 1895), 20
Though his fame may seem contrary to his status as a hermit, it really is not. It is within solitary walls that such inspiration and conviction is born. Whether one agrees with Peter's politics is not the point. Clearly he was not some social misfit but instead preferred his solitude for personal, spiritual reasons. The word hermit is from the Greek word for "desert" or "uninhabited." The term means "desert-dweller." The Christians didn't invent the concept of running off to the desert to escape civilization, but it was a good place to go when the early Christians were being persecuted. It had its basis, however, in the Old Testament story of Moses wandering the desert for forty years for spiritual enlightenment. In any case, early tarocchi players would have likely associated the Hermit in the deck to one like Peter, a veritable hero of the Catholic Church. They would not have made the negative associations with "loneliness" as we might today. He would have been seen more as visionary, wise mentor, and spiritual leader.

As with all of tarot, by questioning one's responses to the cards, they can serve as that wonderful soul mirror that can tell you so much about yourself. If you recoil from the Hermit or think him sad and lonely, it may serve as a sign that you need to examine why you feel that way about being alone. Does being alone equate to loneliness or solitude for you? Certainly the upside down meaning of the card would include the more negative, misanthropic and lonely aspect to one being alone or withdrawing from society, but upright the card holds no such meaning. More often he comes to represent that wiser part of oneself only accessed through solitude. He comes up when someone needs time to themselves to really consider what is true and valuable to them and when being embroiled in human drama is absolutely not the course you want to take.

He's a reminder, too, that there's nothing wrong with liking being alone. No, you're not weird. Ok, maybe wearing a loincloth and eating only honey and berries might be a little odd, but hey, whatever floats your boat. When you're alone, you can do as you please.

Ginny Hunt is a Professional Tarot Reader from Maryland. Her interest in the spiritual and metaphysical has been a lifelong passion. She has been a practicing counselor, both professionally with adolescents and para-professionally as a volunteer with abused women. She offers professional reading services through 78 Notes to Self.

Wednesday, September 22, 2010

Blog: Hermetic - What is that?

From Evernote:

Blog: Hermetic - What is that?

Clipped from: http://en.wikipedia.org/wiki/Hermeticism
Many people do not know what a Hermitic is. So here is everything you wanted to know about Hermeticism from Wikipedia! Enjoy!

Love & Peace! - Tater

Click here for Real Spells!


Hermeticism

From Wikipedia, the free encyclopedia

This article is about the magical and religious movement stemming from the teachings attributed to Hermes Trismegistus. For other uses of the term "Hermetic", see Hermetic (disambiguation).
Part of a series of articles on

Hermeticism

Hermetic Religion
Hermeticism

Mythology
Hermes Trismegistus · Thoth · Poimandres

Hermetica
Corpus Hermeticum · Kybalion

Three Parts of the Wisdom of the Whole Universe
Alchemy · Astrology · Theurgy

Influence and Influences

Hermetic Movements
Rosicrucianism

Orders
Hermetic Order of the Golden Dawn · Hermetic Brotherhood of Luxor · Hermetic Brotherhood of Light

Topics in Hermetism
Qabalah Occult and divinatory tarot Hermetists and Hermeticists
John Dee . Aleister Crowley · Israel Regardie
Thābit ibn Qurra · Paracelsus
Giordano Bruno · Samuel MacGregor Mathers · William Westcott
Franz Bardon

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Hermeticism or the Western Hermetic Tradition is a set of philosophical and religious beliefs[1] or gnosis based primarily upon the Hellenistic Egyptian pseudepigraphical writings attributed to Hermes Trismegistus who is the representation of the conflation of the Egyptian god Thoth with the Greek Hermes. These beliefs have heavily influenced the Western Esoteric Tradition and were considered to be of great importance during the Renaissance.[2]

Contents

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Terminology

The term Hermetic is from medieval Latin hermeticus, which in turn is derived from the name of the Greek god Hermes. It is attested in English since the 17th century as the adjective Hermetic (as in "Hermetic writers" e.g. Franz Bardon). The synonymous Hermetical also occurs in the 17th century. Sir Thomas Browne in his Religio Medici of 1643 wrote

Now besides these particular and divided Spirits there may be (for ought I know) a universal and common Spirit to the whole world. It was the opinion of Plato , and is yet of the Hermeticall Philosophers. R.M. Part 1:32

The term Hermetic is from the Greek word Herm, which refers to a pillar or post used in pre-classical Greece "of square shape, surmounted by a head with a beard. The square, limbless "Hermes" was a step in advance of the unwrought stone."[3] The origin of the word Hermes relates to a stone pillar used to communicate with the deities and the use of names beginning with Herm in Greece dates from at least 600 BC. The God Hermes is a generic term used by the pre-classical Greeks for any deity, and was only later associated with the God of Knowledge in Athens in the 2nd Century AD.[4] The word Hermetic was used by Dr. Everard, 1650 in the English translation of The Pimander of Hermes.[5] Mary Anne Atwood mentioned the use of the word Hermetic by Dufresnoy in 1386.[6][7]

History

Main article: Hermetica

Late Antiquity

The Caduceus, symbol of Hermeticism.

In Late Antiquity, Hermetism[8] emerged in parallel with Gnosticism, Neoplatonism and early Christianity, "characterized by a resistance to the dominance of either pure rationality or doctrinal faith".[9]

The books now known as the Corpus Hermeticum were part of a renaissance of syncretistic and intellectualized pagan thought that took place around the 2nd century. Other examples of this cultural movement would include Neoplatonist philosophy, the Chaldaean Oracles, late Orphic and Pythagorean literature, as well as much of Gnosticism.

The extant Greek texts dwell upon the oneness and goodness of God, urge purification of the soul, and defend pagan religious practices, such as the veneration of images. Many lost Greek texts, and many of the surviving vulgate books, contained discussions of alchemy clothed in philosophical metaphor.[citation needed] And one text, the Asclepius, lost in Greek but partially preserved in Latin, contained a bloody prophecy of the end of Roman rule in Egypt and the resurgence of pagan Egyptian power.

The predominant literary form is the dialogue: Hermes Trismegistus instructs a perplexed disciple on some point of hidden wisdom.

Renaissance

After centuries of falling out of favor, Hermeticism was reintroduced to the West when, in 1460, a man named Leonardo[10] brought the Corpus Hermeticum to Pistoia. He was one of many agents sent out by Pistoia's ruler, Cosimo de'Medici, to scour European monasteries for lost ancient writings.[11]

In 1614 Isaac Casaubon, a Swiss philologist, analyzed the Hermetic texts for linguistic style and claimed that the Hermetic writings attributed to Trismegistus were not the work of an ancient Egyptian priest but in fact dated to the Christian Era.[12][13] Walter Scott places their date shortly after 200 A.D. , while Sir W. Flinders Petrie places them between 200 and 500 B.C.[14]. Plutarch's mention of Hermes Trismegistus dates back to the first century A.D., and Tertullian, Iamblichus, and Porphyry are all familiar with Hermetic writings.[15]

In 1945, Hermetic writings were among those found near Nag Hammadi, in the form of one of the conversations between Hermes and Asclepius from the Corpus Hermeticum, and a text about the Hermetic mystery schools, On the Ogdoad and Ennead, written in the Coptic language, the last form in which the Egyptian language was written.[16]

Hermeticism as a religion

Tobias Churton, scholar of obscure religious movements, states that "the Hermetic tradition was both moderate and flexible, offering a tolerant philosophical religion, a religion of the (omnipresent) mind, a purified perception of God, the cosmos, and the self, and much positive encouragement for the spiritual seeker, all of which the student could take anywhere".[17]

Religious and philosophical texts

Though many more have been falsely attributed to the work of Hermes Trismegistus, Hermeticists commonly accept there to have been forty two books to his credit. However, most of these books are reported to have been destroyed when the Great Library of Alexandria was razed.

There are three major works which are widely known texts for Hermetic beliefs:

  • The Corpus Hermeticum is the body of work most widely known and is the aforementioned Greek texts. These sixteen books are set up as dialogues between Hermes and a series of others. The first book involves a discussion between Poimandres (also known as Nous and God) and Hermes, supposedly resulting from a meditative state, and is the first time that Hermes is in contact with God. Poimandres teaches the secrets of the Universe to Hermes, and later books are generally of Hermes teaching others such as Asclepius and his son Tat.
  • The Emerald Tablet of Hermes Trismegistus is a short work which coins the well known term in occult circles "As above, so below." The actual text of that maxim, as translated by Dennis W. Hauck is "That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracle of the One Thing".[18] The tablet also references the three parts of the wisdom of the whole universe. Hermes claims his knowledge of these three parts is why he received the name Trismegistus (thrice great, or Ao-Ao-Ao meaning "greatest"). As the story is told, this tablet was found by Alexander the Great at Hebron supposedly in the tomb of Hermes.[19]
  • The Kybalion: Hermetic Philosophy is a book published in 1912 AD anonymously by three people calling themselves the "Three Initiates". Many of the Hermetic principles are explained in the book.

There are additional works that, while not as well known as the three mentioned above, have an important place in Hermeticism and its study.

  • A Suggestive Inquiry into Hermetic Philosophy and Alchemy written by Mary Anne Atwood, and originally published anonymously in 1850. This book was withdrawn from circulation by the author but was later reprinted after her death by her longtime friend Isabelle de Steiger. Isabelle de Steiger was a member of the Golden Dawn and this book was used as the basis for the study of Hermeticism by the Golden Dawn which resulted in several published works by members of the Golden Dawn.[20]
  • Arthur Edward Waite, member and later head of the Golden Dawn, wrote theHermetic Museum and later the Hermetic Museum Restored and Enlarged and did the editing for Hermetic and Alchemical Writings of Paracelsus that was published as a two volume set. Arthur Edward Waite considered himself an Hermeticist and was instrumental in adding the word "Hermetic" to the official title of the Golden Dawn.[21]
  • W. Wynn Westcott, a founding member of the Golden Dawn, edited a series of books on Hermeticism called the "Collectanea Hermetica" published by the Theosophical Publishing Society.[22]

Why Thrice Great?

The "Prisca Theologia"

Many Christian writers, including Lactantius, Augustine, Giordano Bruno, Marsilio Ficino, Campanella and Giovanni Pico della Mirandola considered Hermes Trismegistus to be a wise pagan prophet who foresaw the coming of Christianity.[23] They believed in a "Prisca Theologia", the doctrine that a single, true, theology exists, which threads through all religions, and which was given by god to man in antiquity.[24][25] In order to demonstrate the verity of the 'prisca theologia' Christians appropriated the Hermetic teachings for their own purposes. By this account Hermes Trismegistus was either, according to the fathers of the Christian church, a contemporary of Moses[26] or the third in a line of men named Hermes i.e. Enoch, Noah and the Egyptian priest king who is known to us as Hermes Trismegistus[27] or thrice great on account of being the greatest priest, philosopher and king.[28][29]

This last account of how Hermes Trismegistus received the name "Trismegistus," meaning "Thrice Great," is derived from statements both in the The Emerald Tablet of Hermes Trismegistus, that he knows the three parts of the wisdom of the whole universe.[30] The three parts of the wisdom are alchemy, astrology, and theurgy. The pymander, from where Marsilio Ficino formed his opinion, states that "they called him Trismegistus because he was the greatest philosopher and the greatest priest and the greatest king".[31]

Another explanation, in the Suda (10th century), is that "He was called Trismegistus on account of his praise of the trinity, saying there is one divine nature in the trinity".[32]

The three parts of the wisdom of the whole universe

Alchemy—The Operation of the Sun—is not simply the changing of physical lead into physical gold.[33] It is an investigation into the spiritual constitution, or life of matter and material existence through an application of the mysteries of birth, death and resurrection.[34] The various stages of chemical distillation and fermentation, among them, are aspects of these mysteries, that, when applied quicken Nature's processes in order to bring a natural body to perfection.[35] This perfection is the accomplishment of the Magnum opus (Latin for Great Work).

Astrology—The Operation of the Moon: Hermes claims that Zoroaster discovered this part of the wisdom of the whole universe, astrology, and taught it to man.[36] In Hermetic thought, it is likely that the movements of the planets have meaning beyond the laws of physics and actually holding metaphorical value as symbols in the mind of The All, or God. Astrology has influences upon the Earth, but does not dictate our actions, and wisdom is gained when we know what these influences are and how to deal with them.

Theurgy—The Operation of the Stars: There are two different types of magic, according to Giovanni Pico della Mirandola's Apology, completely opposite of each other. The first is γοητεια, Goëtia, black magic reliant upon an alliance with evil spirits (i.e. demons). The second is Theurgy, divine magic reliant upon an alliance with divine spirits (i.e. angels, archangels, gods).[37]

Theurgy translates to "The Science or art of Divine Works" and is the practical aspect of the Hermetic art of alchemy.[38] Furthermore, alchemy is seen as the "key" to theurgy,[39] the ultimate goal of which is to become united with higher counterparts, leading to the attainment of Divine Consciousness.[38]

Hermetic beliefs

As stated above In Hermetic religion the supreme Deity, or Principle, is referred to variously as 'God', 'The All', or 'The One'. The absolute is the central focus of Hermeticism and therefore it is difficult to assign it a position among the traditional Theistic religions, or along the monotheistic and polytheistic spectrum.

Hermeticism encompasses both panentheism and Henotheism within its belief system, which teaches that there is The All, or one "Cause", of which we, and the entire universe, are all a part. Also it subscribes to the notion that other beings such as gods and angels, ascended masters and elementals exist in the Universe as parts of the All.

Classical elements

Main article: Classical elements

The four classical elements of earth, water, air, and fire are used often in alchemy, and are alluded to several times in the Corpus Hermeticum.

As above, so below

"As Above, So Below" redirects here. For the Klaxons song, see As Above, So Below (song). For the Tom Tom Club song, see Tom Tom Club (album).
The Magician displaying the Hermetic concept of as above, so below.

These words circulate throughout occult and magical circles, and they come from Hermetic texts. The concept was first laid out in The Emerald Tablet of Hermes Trismegistus, in the words "That which is Below corresponds to that which is Above, and that which is Above, corresponds to that which is Below, to accomplish the miracles of the One Thing".[18]

In accordance with the various levels of reality: physical, mental, and spiritual, this relates that what happens on any level happens on every other. This is however more often used in the sense of the microcosm and the macrocosm. The microcosm is oneself, and the macrocosm is the universe. The macrocosm is as the microcosm, and vice versa; within each lies the other, and through understanding one (usually the microcosm) you can understand the other.[40]

Reincarnation

There are mentions in Hermeticism about reincarnation. As Hermes states:

O son, how many bodies we have to pass through, how many bands of demons, through how many series of repetitions and cycles of the stars, before we hasten to the One alone?[41]

Morality, good, and evil

Hermes explains in Book 9 of the Corpus Hermeticum that Nous brings forth both good and evil, depending on if he receives input from God or from the demons. God brings good, while the demons bring evil. Among those things brought by demons are:

adultery, murder, violence to one's father, sacrilege, ungodliness, strangling, suicide from a cliff and all such other demonic actions.[42]

This provides a clearcut view that Hermeticism does indeed include a sense of morality. However, the word good is used very strictly, to be restricted to use to the Supreme Good, God.[43] It is only God (in the sense of the Supreme Good, not The All) who is completely free of evil to be considered good. Men are exempt of having the chance of being good, for they have a body, consumed in the physical nature, ignorant of the Supreme Good.[44]

Among those things which are considered extremely sinful, is the focus on the material life, said to be the only thing that offends God:

As processions passing in the road cannot achieve anything themselves yet still obstruct others, so these men merely process through the universe, led by the pleasures of the body.[45]

It is troublesome to oneself to have no "children". This is a symbolic description, not to mean physical, biological children, but rather creations. Immediately before this claim, it is explained that God is "the Father" because it has authored all things, it creates. Whether father or mother, one must create, do something positive in their life, as the Supreme Good is a "generative power". The curse for not having "children" is to be imprisoned to a body, neither male (active) nor female (thoughtful), leaving that person with a type of sterility, that of being unable to accomplish anything.[46]

Cosmogony

The tale is given in the first book of the Corpus Hermeticum by God's Nous to Hermes Trismegistus after much meditation. It begins as the ALL creates the elements after seeing the Cosmos and creating one just like it (our Cosmos) from its own constituent elements and souls. From there, the ALL, being both male (Divine Father) and female (Universal Mother), holding the Word (the logos), gave birth to a second Nous, creator of the world. This second Nous created seven powers, or deities, (often seen as Mercury, Venus, Mars, Jupiter, Saturn, the Sun and the Moon) to travel in circles and govern destiny.

The Word then leaps forth from the materializing elements, which made them unintelligent. Nous then made the governors spin, and from their matter sprang forth creatures without speech. Earth then was separated from Water and the animals (other than Man) were brought forth from the Earth.

The Supreme Nous then created Man, androgynous, in his own image and handed over his creation. Man carefully observed the creation of his brother, the lesser Nous, and received his and his Father's authority over it all. Man then rose up above the spheres' paths to better view the creation, and then showed the form of the ALL to Nature. Nature fell in love with it, and Man, seeing a similar form to his own reflecting in the water fell in love with Nature and wished to dwell in it. Immediately Man became one with Nature and became a slave to its limitations such as gender and sleep. Man thus became speechless (for it lost the Word) and became double, being mortal in body but immortal in spirit, having authority of all but subject to destiny.

The tale does not specifically contradict the theory of evolution, other than for Man, but most Hermeticists fully accept evolutionary theory as a solid grounding for the creation of everything from base matter to Man.aaaa

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